Filmaking – Getting started

March 5, 2009 by filmaking

If you are making your film yourself without the benefit of traditional backing you will probably find yourself writing, producing and acting in your own film.

If you are in school studying film you have a perfect group of people to draw from to get your film made. It is a “you scratch my back, I scratch yours” situation. Students help each other to get their films made. Each of us has a specific talent and we can contribute that to the production at hand.

If you are not in school you may have to convince your friends to help you with your film. You will have to be completely active in all phases of the production. Such are the joys of the independent filmmaker. However, you will need help. You will need other actors, sound people (someone has to hold that boom), camera operators, and so on. Should not be too difficult because it is exciting to be involved with making a film. 

 Make contact lists of people you might be able to gain assistance from in the various fields of expertise. You don’t get all the help you need  from you friends and family. You will have to go with associates that have the same desire to make film that you do. This means you have to find social events that allow you to network with others that have a similar interest in film. Networking is going to be important from start to finish with the production of you film. It would be wise to make a business card with your contact information on it, maybe even make your own website. 

 You may begin to use the same people as you learn whom you work best with. Some of the disciplines you may need are: electricians, carpenters, camera operators, audio engineers, make-up artists, set designers, locations scouts, script supervisors, costumers, publicists, and finally craft people for your food service.

Filmaking – Low-budget scripts

February 15, 2009 by filmaking

If you’re into low-budget filmaking make sure you’ve got a low-budget script. That means a script without warscenes with thousands of people, a script without helicopter chases, a script without lots of characters and locations. In short, look for a script with minimal locations and few characters, and without excessive special effects.

Note: In a couple of years, when you’re a rich and famous director, you can do all the helicoper chases you want…